Browse Title Index


 
Issue Title
 
No 2-3 (2016): Ghetto Films and their Afterlife Lisa Peschel: Performing Captivity, Performing Escape. Cabarets and Plays from the Terezín / Theresienstadt Ghetto. Abstract   HTML (Deutsch)
Jonas Mirbeth
 
No 4 (2017) Richard Wortman: Visual Texts, Ceremonial Texts, Texts of Exploration: Collected Articles on the Representation of Russian Monarchy Abstract   HTML (Deutsch)
Florian Olbrich
 
No 4 (2017) Owen Hatherly: The Chaplin Machine. Slapstick, Fordism and the Communist Avant-Garde Abstract   HTML (Русский)
Victor Zatsepin
 
No 4 (2017) Оксана Булгакова: Голос как культурный феномен Abstract   HTML (Русский)
Денис Ларионов
 
No 5 (2017): Mise en geste. Studies of Gesture in Cinema and Art Susanne Strätling: Die Hand am Werk: Poetik der Poiesis in der russischen Avantgarde. Abstract   HTML (Русский)
Vera Kotelevskaia
 
No 6 (2018): Women at the Editing Table: Revising Soviet Film History of the 1920s and 1930s 53. MFF w Karlowych Warach Abstract   HTML (Język Polski)
Mikołaj Jakub Góralik
 
No 7 (2018): Women Cutting Movies: Editors from East and Central Europe Nikita Lary and Jay Leyda (eds.): The Alexander Medvedkin Reader Abstract   HTML (Deutsch)
Alexander Schwarz
 
No 2-3 (2016): Ghetto Films and their Afterlife 56th Thessaloniki International Film Festival. Balkan Survey Section. Abstract   HTML
Lydia Papadimitriou
 
No 2-3 (2016): Ghetto Films and their Afterlife Film – náš pomocník. České krátké filmy 50. let. Film – Our Helper. Czech Short Films of the 1950s Abstract   HTML
Jonathan Lyndon Owen
 
No 5 (2017): Mise en geste. Studies of Gesture in Cinema and Art Nosferatu’s Gesture. Ciné-kinesis in the Silent Era, East and West Abstract   HTML
Eric Rauth
 
No 6 (2018): Women at the Editing Table: Revising Soviet Film History of the 1920s and 1930s Stekliannyi Glaz (The Glass Eye) and Karmen – The Actress, Editor and Director Lilia Brik Abstract   HTML
Adelheid Heftberger
 
No 2-3 (2016): Ghetto Films and their Afterlife Surveillance. Secret Police Film Festival. Abstract   HTML
Andrea Pócsik
 
No 7 (2018): Women Cutting Movies: Editors from East and Central Europe The Future Will Be Different. Visions and Practices of Social Modernisation after 1918 - review of the exhibition and catalogue Abstract   HTML
Elżbieta Wysocka
 
No 2-3 (2016): Ghetto Films and their Afterlife A False Start. The Filming at Theresienstadt of January 20, 1944 Abstract   HTML
Karel Margry
 
No 5 (2017): Mise en geste. Studies of Gesture in Cinema and Art Adelheid Heftberger: Kollision der Kader. Dziga Vertovs Filme, die Visualisierung ihrer Strukturen und die Digital Humanities Abstract   HTML (Русский)
Vera Kotelevskaia
 
No 8 (2019): Fiction in Central and Eastern European Film Theory and Practice Alexander Burry and Frederick H. White (ed.): Border Crossing: Russian Literature into Film Abstract   HTML
Marija Weste
 
No 6 (2018): Women at the Editing Table: Revising Soviet Film History of the 1920s and 1930s Anikó Imre: TV Socialism Abstract   HTML
Ivan Forgacs
 
No 1 (2015) Anke Hennig: Sowjetische Kinodramaturgien. Konfliktlinien zwischen Literatur und Film in der Sowjetunion Abstract   Re: Sowjetische Kinodramaturgien (Deutsch)   PDF (Deutsch)
Christian Pischel
 
No 1 (2015) "Aparat" chy "dyspozytyv"? Notatky pro vyrobnytstvo obrazu i vyrobnytstvo subiekta v kino Abstract   «Апарат» чи «диспозитив»? (Українська)   PDF (Українська)
Ol'ha Briukhovets'ka
 
No 1 (2015) Apparatus: Introduction Abstract   Apparatus: Zur Einführung (Deutsch)   PDF (Deutsch)
Natascha Drubek, Anke Hennig, Irina Sandomirskaja
 
No 7 (2018): Women Cutting Movies: Editors from East and Central Europe Authoring from the Shadows: Creativity and the Film Archive in The Autobiography of Nicolae Ceaușescu Abstract   HTML
Raluca Iacob
 
No 8 (2019): Fiction in Central and Eastern European Film Theory and Practice Autobiographical Documentarism and Intertextuality in Ante Babaja’s Dobro jutro Abstract   HTML
Krunoslav Lučić
 
No 6 (2018): Women at the Editing Table: Revising Soviet Film History of the 1920s and 1930s Creative Editing: Svilova and Vertov’s Distributed Cognition Abstract   HTML
Karen Pearlman, John MacKay, John Sutton
 
No 7 (2018): Women Cutting Movies: Editors from East and Central Europe Dijana Jelača: Dislocating Screen Memory. Narrating Trauma in Post-Yugoslav Cinema. Abstract   HTML
Anna Batori
 
No 8 (2019): Fiction in Central and Eastern European Film Theory and Practice Early Russian Film Prose. Online Research Team Project Abstract   HTML (Deutsch)
Clea Wanner
 
No 7 (2018): Women Cutting Movies: Editors from East and Central Europe Editorial: On Making the Work of Women Editors Visible Abstract   HTML
Adelheid Heftberger, Ana Grgic
 
No 2-3 (2016): Ghetto Films and their Afterlife Editorial: The Ghetto as Holocaust Apparatus Abstract   HTML
Natascha Drubek
 
No 5 (2017): Mise en geste. Studies of Gesture in Cinema and Art Ekaterina Makhotina: Erinnerungen an den Krieg – Krieg der Erinnerungen. Litauen und der Zweite Weltkrieg Abstract   HTML (Русский)
Andrei Linchenko
 
No 5 (2017): Mise en geste. Studies of Gesture in Cinema and Art Ellen Rutten: Sincerity after Communism. A Cultural History Abstract   HTML
Raoul Eshelman
 
No 5 (2017): Mise en geste. Studies of Gesture in Cinema and Art Empty Gestures: Mimesis and Subjection in the Cinema of Yorgos Lanthimos Abstract   HTML
Carlo Comanducci
 
No 8 (2019): Fiction in Central and Eastern European Film Theory and Practice Enhanced Documents of a Past Future: Re-interpretation of the Soviet History of Spaceflight in Contemporary Russian Blockbusters Abstract   HTML
Natalija Majsova
 
No 6 (2018): Women at the Editing Table: Revising Soviet Film History of the 1920s and 1930s Ėsfir’ Shub on Women in the Editing Room: “The Work of Montazhnitsy” (1927) Abstract   HTML
Alla Gadassik
 
No 2-3 (2016): Ghetto Films and their Afterlife Eugénie Zvonkine: Kira Mouratova. Un cinéma de la dissonance Abstract   HTML
Irina Schulzki
 
No 1 (2015) Evgenii Margolit: Zhivye i mёrtvoe. Zametki k istorii sovetskogo kino 1920-1960kh Abstract   Re: Zhivye i mёrtvoe   PDF
Anna Karpusheva
 
No 8 (2019): Fiction in Central and Eastern European Film Theory and Practice Ewa Ciszewska and Mikolaj Góralik (ed.): Polsko-czeskie i polsko-słowackie kontakty filmowe Abstract   HTML (Čeština)
Miroslav Zelinský
 
No 2-3 (2016): Ghetto Films and their Afterlife Ewa Ciszewska, Konrad Klejsa (eds.): Kultura filmowa współczesnej Łodzi Abstract   HTML
Karol Jóźwiak
 
No 6 (2018): Women at the Editing Table: Revising Soviet Film History of the 1920s and 1930s Female editors in Russian Cinema:
Vera Dmitrievna Popova-Khanzhonkova
Abstract   HTML (Русский)
Николай Изволов
 
No 6 (2018): Women at the Editing Table: Revising Soviet Film History of the 1920s and 1930s Film Editing as Women’s Work: Ėsfir’ Shub, Elizaveta Svilova, and the Culture of Soviet Montage Abstract   HTML
Lilya Kaganovsky
 
No 2-3 (2016): Ghetto Films and their Afterlife Filmed Documents. Methods in Researching Archival Films from the Holocaust Abstract   HTML
Efrat Komisar
 
No 1 (2015) Games on Morel’s Hill and Kievy Gorki. On the Social Formattings of the Individual in the Work of KwieKulik and the Collective Actions Group Abstract   Games on Morel’s Hill   PDF
Inke Arns
 
No 4 (2017) Gelencsér Gábor: Forgatott könyvek. A magyar film és az irodalom kapcsolata 1945 és 1995 között Abstract   HTML
Adrián Bene
 
No 8 (2019): Fiction in Central and Eastern European Film Theory and Practice Heidrun Hamersky: Störbilder einer Diktatur. Zur subversiven fotografischen Praxis Ivan Kyncls im Kontext der tschechoslowakischen Bürgerrechtsbewegung der 1970er Jahre Abstract   HTML (Deutsch)
Nora Schmidt
 
No 7 (2018): Women Cutting Movies: Editors from East and Central Europe Historical exercises: Hungarian sports films as political commentary and historical memory Abstract   HTML
Terez Vincze
 
No 2-3 (2016): Ghetto Films and their Afterlife Image Politics. Ordinary Fascism – Contexts of Production and Reception Abstract   HTML
Sabine Hänsgen, Wolfgang Beilenhoff
 
No 7 (2018): Women Cutting Movies: Editors from East and Central Europe In the Fictional Shadow of Post-Production? The Silenced Creative Community and Gender Hyper(in)visibility Among Film Editors in Contemporary Russia Abstract   HTML
Anastasia Khodyreva
 
No 8 (2019): Fiction in Central and Eastern European Film Theory and Practice Interdisciplinary Perspectives on Fictional Worlds: A Reflexive Report from The XIV Prague Interpretation Colloquium Abstract   HTML
Enrico Terrone
 
No 2-3 (2016): Ghetto Films and their Afterlife International Colloquium Soviet War Propaganda on the Movie Screen, 1939–1946 / La propagande de guerre soviétique à l’écran, 1939­-1946 Abstract   HTML
Irina Tcherneva
 
No 8 (2019): Fiction in Central and Eastern European Film Theory and Practice Introducing Fiction in Central and Eastern European Film Theory and Practice Abstract   HTML
J. Alexander Bareis, Mario Slugan
 
No 4 (2017) Jean-Luc Marion’s Postmetaphysical Phenomenology and Film. An Analysis of 4 Months, 3 Weeks, 2 Days and Ida Abstract   HTML
Raoul Eshelman
 
No 4 (2017) Jeffrey Geiger and Karin Littau (eds.): Cinematicity in Media History Abstract   HTML
Andrew Behrendt
 
No 4 (2017) K voprosu ob istochnikakh siuzheta romana Dvenadtsat' stul'ev Abstract   HTML (Русский)
Victor Zatsepin
 
No 5 (2017): Mise en geste. Studies of Gesture in Cinema and Art Karl, Lars and Pavel Skopal (eds.): Cinema in Service of the State: Perspectives on Film Culture in the GDR and Czechoslovakia, 1945-1960 Abstract   HTML
David Sorfa
 
No 2-3 (2016): Ghetto Films and their Afterlife Kinematografia niepamięci. Polskie filmy dokumentalne o Litzmannstadt Getto Abstract   HTML (Język Polski)
Ewa Ciszewska
 
No 5 (2017): Mise en geste. Studies of Gesture in Cinema and Art Kinemology, or A Science of Movement: A Forgotten Project of the GAKhN Abstract   HTML (Русский)
Irina Sirotkina
 
No 4 (2017) Kino, tsenzura i vlast' v Peterburge-Petrograde 1890-1910-kh godov Abstract   HTML (Русский)
Anna Kovalova, Viktor Semenov
 
No 2-3 (2016): Ghetto Films and their Afterlife Krystyna Wanatowiczová: Miloš Havel - český filmový magnát Abstract   HTML
Anna Batistová
 
No 6 (2018): Women at the Editing Table: Revising Soviet Film History of the 1920s and 1930s Lenuta Gukin, Janina Falkowska and David Desser (eds.):
Small Cinemas in Global Markets. Genres, Identities, Narratives
Abstract   HTML
Andrea Virginás
 
No 8 (2019): Fiction in Central and Eastern European Film Theory and Practice Lida Oukaderova: The Cinema of The Soviet Thaw: Space, Materiality, Movement Abstract   HTML
Zdenko Mandušić
 
No 8 (2019): Fiction in Central and Eastern European Film Theory and Practice Lilya Kaganovsky: The Voice of Technology: Soviet Cinema’s Transition to Sound, 1928-1935 Abstract   HTML (Русский)
Natalija Arlauskaitė
 
No 7 (2018): Women Cutting Movies: Editors from East and Central Europe Lucie Česálková (ed.): Staré pověsti české Abstract   HTML
Jana Rogoff
 
No 7 (2018): Women Cutting Movies: Editors from East and Central Europe Mario Slugan: Montage as Perceptual Experience. Berlin Alexanderplatz from Döblin to Fassbinder. Abstract   HTML
Nenad Jovanovic
 
No 6 (2018): Women at the Editing Table: Revising Soviet Film History of the 1920s and 1930s Mary Harrod, Mariana Liz, and Alissa Timoshkina (eds.): The Europeanness of European Cinema. Identity, Meaning, Globalization Abstract   HTML (Čeština)
Pavel Skopal
 
No 5 (2017): Mise en geste. Studies of Gesture in Cinema and Art Mediating Gesture in Theory and Practice Abstract   HTML
Ana Hedberg Olenina, Irina Schulzki
 
No 2-3 (2016): Ghetto Films and their Afterlife Memorial Moskau, Heike Winkel, Lutz Dittrich: Samizdat im Gulag – eine schwarze Literaturgeschichte Abstract   HTML (Deutsch)
Florian Olbrich, Miriam Säckler
 
No 6 (2018): Women at the Editing Table: Revising Soviet Film History of the 1920s and 1930s Michael Gott and Todd Herzog (ed.): East, West and Centre: Reframing Post-1989 European Cinema Abstract   HTML (Język Polski)
Marta Brzezińska-Pająk
 
No 7 (2018): Women Cutting Movies: Editors from East and Central Europe Michael S. Gorham, Ingunn Lunde and Martin Paulsen (eds.): Digital Russia: The language, culture and politics of new media communication Abstract   HTML
Aivaras Zukauskas
 
No 5 (2017): Mise en geste. Studies of Gesture in Cinema and Art Miranda Jakiša and Nikica Gilić (eds.): Partisans in Yugoslavia: Literature, Film and Visual Culture Abstract   HTML
Dijana Jelača
 
No 2-3 (2016): Ghetto Films and their Afterlife Multidirectional Sites of Memory in Italian Holocaust Documentaries Abstract   HTML
Maurizio Cinquegrani
 
No 6 (2018): Women at the Editing Table: Revising Soviet Film History of the 1920s and 1930s Norbert P. Franz (ed.):
Andrej Tarkovskij: Klassiker – Классик – Classic – Classico
Abstract   HTML (Русский)
Tatiana Astafeva
 
No 4 (2017) Notes on Sincerity in Russian Auteur Cinema of the 2010s Abstract   HTML
Irina Souch
 
No 1 (2015) Philip Cavendish: The Men with the Movie Camera. The Poetics of Visual Style in Soviet Avant-Garde Cinema of the 1920s Abstract   Re: Men with the Movie Camera   PDF
Mario Slugan
 
No 1 (2015) Propaganda in Motion. Dziga Vertov`s and Aleksandr Medvedkin`s Film Trains and Agit Steamers of the 1920s and 1930s Abstract   Propaganda in Motion   PDF
Adelheid Heftberger
 
No 1 (2015) Pussy Riot as the Trickstar Abstract   Pussy Riot as the Trickstar   PDF
Mark Lipovetsky
 
No 7 (2018): Women Cutting Movies: Editors from East and Central Europe Radojka Tanhofer, Croatia’s Pioneering Film Editor Abstract   HTML
Jelena Modrić
 
No 6 (2018): Women at the Editing Table: Revising Soviet Film History of the 1920s and 1930s Recognising Women’s Work as Creative Work Abstract   HTML
Karen Pearlman, Adelheid Heftberger
 
No 4 (2017) Renate Hansen-Kokoruš (ed.): Facing the Present. Transition in Post-Yugoslavia. The Artists' View Abstract   HTML
Ava Mirković
 
No 7 (2018): Women Cutting Movies: Editors from East and Central Europe Rhythmic Trajectories – Visualizing Cinematic Rhythm in Film Sequences Abstract   HTML
Szilvia Ruszev
 
No 5 (2017): Mise en geste. Studies of Gesture in Cinema and Art Silence and Fog. On Gesture, Time, and Historicity in the Films of Aleksandr Sokurov Abstract   HTML
Ivan Pintor Iranzo
 
No 4 (2017) Steven S. Lee: The Ethnic Avant-Garde. Minority Culture and World Revolution Abstract   HTML
Hanin Hannouch
 
No 1 (2015) Tanja Zimmermann: Der Balkan zwischen Ost und West. Mediale Bilder und kulturpolitische Prägungen Abstract   Re: Balkan zwischen Ost und West   PDF
Rastislava Mirković
 
No 5 (2017): Mise en geste. Studies of Gesture in Cinema and Art Tat’iana Dashkova: Telesnost’ – Ideologiia – Kinematograf: Visual’nyi kanon i sovetskaia povsednevnost’ Abstract   HTML
Andrew Chapman
 
No 6 (2018): Women at the Editing Table: Revising Soviet Film History of the 1920s and 1930s The Disappearing Theoretician: From Anna Li to A.N. Pudovkina Abstract   HTML
Natalie Ryabchikova
 
No 8 (2019): Fiction in Central and Eastern European Film Theory and Practice The NECS Conference in Gdańsk, 2019. The Network for Cinema and Media Studies Goes Back to Eastern Europe Thirty Years after the Downfall of Communism Abstract   HTML
Lucian Tion
 
No 5 (2017): Mise en geste. Studies of Gesture in Cinema and Art The Other as the Self: Legibility of Body Language in Film and Americanisation of Europe Abstract   HTML (Deutsch)
Oksana Bulgakowa
 
No 2-3 (2016): Ghetto Films and their Afterlife The Posthumous Life of Nazi Propaganda. Postwar Films on the Warsaw Ghetto Abstract   HTML
Tomasz Łysak
 
No 2-3 (2016): Ghetto Films and their Afterlife The Three Screenings of a Secret Documentary. Theresienstadt Revised Abstract   HTML
Natascha Drubek
 
No 7 (2018): Women Cutting Movies: Editors from East and Central Europe The Zones of Twilight. Son of Saul and the Tradition of Holocaust Representation in Hungarian Full-Length Feature Films Abstract   HTML
Gábor Gelencsér
 
No 8 (2019): Fiction in Central and Eastern European Film Theory and Practice Theorizing Fiction in Film Non/Fiction: Some Thoughts on Recent German Film Theory Abstract   HTML
Mario Slugan
 
No 8 (2019): Fiction in Central and Eastern European Film Theory and Practice Thinking Film: Cinefied Materiality in Slobodan Šijan’s Fanzine Film Leaflet (1976-1979) Abstract   HTML
Aleksandar Bošković
 
No 2-3 (2016): Ghetto Films and their Afterlife Three Dimensions of Archive Footage. Researching Archive Films from the Holocaust Abstract   HTML
Tobias Ebbrecht-Hartmann
 
No 5 (2017): Mise en geste. Studies of Gesture in Cinema and Art Tomislav Šakić: Modernizam u hrvatskom igranom filmu Abstract   HTML
Edward Alexander
 
No 2-3 (2016): Ghetto Films and their Afterlife Topografie terezínských filmů (1942-1944/5) Abstract   HTML (Čeština)
Tomáš Fedorovič
 
No 4 (2017) Toward Poetics of Authenticity. The Hope Factory and the New Wave of Russian Women Filmmakers. A Conversation with Natalia Meshchaninova Abstract   HTML
Oksana Chefranova
 
No 1 (2015) Tukums kino hronikās Abstract   Tukums kino hronikās HTML   Tukums kino hronikās PDF
Viktorija Eksta
 
No 7 (2018): Women Cutting Movies: Editors from East and Central Europe Virginás, Andrea (ed.): Cultural Studies Approaches in the Study of Eastern European Cinema: Spaces, Bodies, Memories. Abstract   HTML
Andrea Pócsik
 
No 6 (2018): Women at the Editing Table: Revising Soviet Film History of the 1920s and 1930s Vlad Strukov and Helena Goscilo (eds.): Russian Aviation, Space Flight, and Visual Culture Abstract   HTML (Deutsch)
Alexander Schwarz
 
No 2-3 (2016): Ghetto Films and their Afterlife Welcome to Panorama Theresienstadt. Cinematography and Destruction in the Town Called “As If” (Reading H. G. Adler) Abstract   HTML
Irina Sandomirskaja
 
No 7 (2018): Women Cutting Movies: Editors from East and Central Europe When Women Call the Cuts: the Marina Razbezhkina School of Documentary Film Abstract   HTML
Daria Shembel
 
No 1 (2015) XIX festival' arkhivnogo kino Belye Stolby Abstract   Re: XIX фестиваль архивного кино (Русский)   PDF (Русский)
Georgii Borodin
 
No 2-3 (2016): Ghetto Films and their Afterlife XV Mezhdunarodnyi festival’ dokumental’nogo kino Flaertiana Abstract   HTML (Русский)
Elena Chetina
 
No 2-3 (2016): Ghetto Films and their Afterlife “Madagascar, Nisko, Theresienstadt, Auschwitz.” On the Visibility of Sites in Claude Lanzmann’s The Last of the Unjust (2013) Abstract   HTML
Gertrud Koch
 
No 2-3 (2016): Ghetto Films and their Afterlife “The Second Life” of the Theresienstadt Films after the Second World War Abstract   HTML
Eva Strusková
 
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