Browse Title Index


 
Issue Title
 
No 2-3 (2016): Ghetto Films and their Afterlife Lisa Peschel: Performing Captivity, Performing Escape. Cabarets and Plays from the Terezín / Theresienstadt Ghetto. Abstract   HTML (Deutsch)
Jonas Mirbeth
 
No 4 (2017) Richard Wortman: Visual Texts, Ceremonial Texts, Texts of Exploration: Collected Articles on the Representation of Russian Monarchy Abstract   HTML (Deutsch)
Florian Olbrich
 
No 4 (2017) Owen Hatherly: The Chaplin Machine. Slapstick, Fordism and the Communist Avant-Garde Abstract   HTML (Русский)
Victor Zatsepin
 
No 4 (2017) Оксана Булгакова: Голос как культурный феномен Abstract   HTML (Русский)
Денис Ларионов
 
No 2-3 (2016): Ghetto Films and their Afterlife 56th Thessaloniki International Film Festival. Balkan Survey Section. Abstract   HTML
Lydia Papadimitriou
 
No 2-3 (2016): Ghetto Films and their Afterlife Surveillance. Secret Police Film Festival. Abstract   HTML
Andrea Pócsik
 
No 2-3 (2016): Ghetto Films and their Afterlife A False Start. The Filming at Theresienstadt of January 20, 1944 Abstract   HTML
Karel Margry
 
No 1 (2015) Anke Hennig: Sowjetische Kinodramaturgien. Konfliktlinien zwischen Literatur und Film in der Sowjetunion Abstract   Re: Sowjetische Kinodramaturgien (Deutsch)
Christian Pischel
 
No 1 (2015) "Aparat" chy "dyspozytyv"? Notatky pro vyrobnytstvo obrazu i vyrobnytstvo subiekta v kino Abstract   «Апарат» чи «диспозитив»? (Українська)
Ol'ha Briukhovets'ka
 
No 1 (2015) Apparatus: Introduction Abstract   Apparatus: Zur Einführung (Deutsch)
Natascha Drubek, Anke Hennig, Irina Sandomirskaja
 
No 2-3 (2016): Ghetto Films and their Afterlife Editorial: The Ghetto as Holocaust Apparatus Abstract   HTML
Natascha Drubek
 
No 2-3 (2016): Ghetto Films and their Afterlife Eugénie Zvonkine: Kira Mouratova. Un cinéma de la dissonance Abstract   HTML
Irina Schulzki
 
No 1 (2015) Evgenii Margolit: Zhivye i mёrtvoe. Zametki k istorii sovetskogo kino 1920-1960kh Abstract   Re: Zhivye i mёrtvoe
Anna Karpusheva
 
No 2-3 (2016): Ghetto Films and their Afterlife Ewa Ciszewska, Konrad Klejsa (eds.): Kultura filmowa współczesnej Łodzi Abstract   HTML
Karol Jóźwiak
 
No 1 (2015) Games on Morel’s Hill and Kievy Gorki. On the Social Formattings of the Individual in the Work of KwieKulik and the Collective Actions Group Abstract   Games on Morel’s Hill
Inke Arns
 
No 4 (2017) Gelencsér Gábor: Forgatott könyvek. A magyar film és az irodalom kapcsolata 1945 és 1995 között Abstract   HTML
Adrián Bene
 
No 2-3 (2016): Ghetto Films and their Afterlife Image Politics. Ordinary Fascism – Contexts of Production and Reception Abstract   HTML
Sabine Hänsgen, Wolfgang Beilenhoff
 
No 2-3 (2016): Ghetto Films and their Afterlife International Colloquium Soviet War Propaganda on the Movie Screen, 1939–1946 / La propagande de guerre soviétique à l’écran, 1939­-1946 Abstract   HTML
Irina Tcherneva
 
No 4 (2017) Jean-Luc Marion’s Postmetaphysical Phenomenology and Film. An Analysis of 4 Months, 3 Weeks, 2 Days and Ida Abstract   HTML
Raoul Eshelman
 
No 4 (2017) Jeffrey Geiger and Karin Littau (eds.): Cinematicity in Media History Abstract   HTML
Andrew Behrendt
 
No 4 (2017) K voprosu ob istochnikakh siuzheta romana Dvenadtsat' stul'ev Abstract   HTML (Русский)
Victor Zatsepin
 
No 2-3 (2016): Ghetto Films and their Afterlife Kinematografia niepamięci. Polskie filmy dokumentalne o Litzmannstadt Getto Abstract   HTML (Język Polski)
Ewa Ciszewska
 
No 4 (2017) Kino, tsenzura i vlast' v Peterburge-Petrograde 1890-1910-kh godov Abstract   HTML (Русский)
Anna Kovalova, Viktor Semenov
 
No 2-3 (2016): Ghetto Films and their Afterlife Krystyna Wanatowiczová: Miloš Havel - český filmový magnát Abstract   HTML
Anna Batistová
 
No 2-3 (2016): Ghetto Films and their Afterlife Memorial Moskau, Heike Winkel, Lutz Dittrich: Samizdat im Gulag – eine schwarze Literaturgeschichte Abstract   HTML (Deutsch)
Florian Olbrich, Miriam Säckler
 
No 4 (2017) Notes on Sincerity in the Russian New Wave Cinema of the 2010s Abstract   HTML
Irina Souch
 
No 1 (2015) Philip Cavendish: The Men with the Movie Camera. The Poetics of Visual Style in Soviet Avant-Garde Cinema of the 1920s Abstract   Re: Men with the Movie Camera
Mario Slugan
 
No 1 (2015) Propaganda in Motion. Dziga Vertov`s and Aleksandr Medvedkin`s Film Trains and Agit Steamers of the 1920s and 1930s Abstract   Propaganda in Motion
Adelheid Heftberger
 
No 1 (2015) Pussy Riot as the Trickstar Abstract   Pussy Riot as the Trickstar
Mark Lipovetsky
 
No 4 (2017) Renate Hansen-Kokoruš (ed.): Facing the Present. Transition in Post-Yugoslavia. The Artists' View Abstract   HTML
Ava Mirković
 
No 4 (2017) Steven S. Lee: The Ethnic Avant-Garde. Minority Culture and World Revolution Abstract   HTML
Hanin Hannouch
 
No 1 (2015) Tanja Zimmermann: Der Balkan zwischen Ost und West. Mediale Bilder und kulturpolitische Prägungen Abstract   Re: Balkan zwischen Ost und West
Rastislava Mirković
 
No 2-3 (2016): Ghetto Films and their Afterlife The Posthumous Life of Nazi Propaganda. Postwar Films on the Warsaw Ghetto Abstract   HTML
Tomasz Łysak
 
No 2-3 (2016): Ghetto Films and their Afterlife The Three Screenings of a Secret Documentary. Theresienstadt Revised Abstract   HTML
Natascha Drubek
 
No 2-3 (2016): Ghetto Films and their Afterlife Three Dimensions of Archive Footage. Researching Archive Films from the Holocaust Abstract   HTML
Tobias Ebbrecht-Hartmann
 
No 2-3 (2016): Ghetto Films and their Afterlife Topografie terezínských filmů (1942-1944/5) Abstract   HTML (Čeština)
Tomáš Fedorovič
 
No 4 (2017) Toward Poetics of Authenticity. The Hope Factory and the New Wave of Russian Women Filmmakers. A Conversation with Natalia Meshchaninova Abstract   HTML
Oksana Chefranova
 
No 1 (2015) Tukums kino hronikās Abstract   Tukums kino hronikās
Viktorija Eksta
 
No 2-3 (2016): Ghetto Films and their Afterlife Welcome to Panorama Theresienstadt. Cinematography and Destruction in the Town Called “As If” (Reading H. G. Adler) Abstract   HTML
Irina Sandomirskaja
 
No 1 (2015) XIX festival' arkhivnogo kino Belye Stolby Abstract   Re: XIX фестиваль архивного кино (Русский)
Georgii Borodin
 
No 2-3 (2016): Ghetto Films and their Afterlife XV Mezhdunarodnyi festival’ dokumental’nogo kino Flaertiana Abstract   HTML (Русский)
Elena Chetina
 
No 2-3 (2016): Ghetto Films and their Afterlife “Madagascar, Nisko, Theresienstadt, Auschwitz.” On the Visibility of Sites in Claude Lanzmann’s The Last of the Unjust (2013) Abstract   HTML
Gertrud Koch
 
No 2-3 (2016): Ghetto Films and their Afterlife “The Second Life” of the Theresienstadt Films after the Second World War Abstract   HTML
Eva Strusková
 
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