|
Issue |
Title |
|
No 1 (2015) |
Tukums kino hronikās |
Abstract
Tukums kino hronikās HTML
Tukums kino hronikās PDF
|
Viktorija Eksta |
|
No 9 (2019) |
Valerii Podoroga: Vopros o veshchi |
Abstract
HTML
|
Tyler Benjamin Adkins |
|
Doing Performance Art History. Perspectives of Actors and Observers (2020) |
VHS as a Medium of Subculture |
Abstract
HTML
|
Marina Gržinič |
|
Doing Performance Art History. Perspectives of Actors and Observers (2020) |
Video Poiesis |
Abstract
HTML
|
Sabine Hänsgen |
|
Doing Performance Art History. Perspectives of Actors and Observers (2020) |
Vigil |
Abstract
HTML
|
Tibor Hajas |
|
No 7 (2018): Women Cutting Movies: Editors from East and Central Europe |
Virginás, Andrea (ed.): Cultural Studies Approaches in the Study of Eastern European Cinema: Spaces, Bodies, Memories. |
Abstract
HTML
|
Andrea Pócsik |
|
No 6 (2018): Women at the Editing Table: Revising Soviet Film History of the 1920s and 1930s |
Vlad Strukov and Helena Goscilo (eds.): Russian Aviation, Space Flight, and Visual Culture |
Abstract
HTML (Deutsch)
|
Alexander Schwarz |
|
No 11 (2020): Yugoslav Performance Art: On the Deferred Production of Knowledge |
Was Dancing Possible During the Fascist Occupation of Yugoslavia? |
Abstract
HTML
|
Gal Kirn |
|
No 2-3 (2016): Ghetto Films and their Afterlife |
Welcome to Panorama Theresienstadt. Cinematography and Destruction in the Town Called “As If” (Reading H. G. Adler) |
Abstract
HTML
|
Irina Sandomirskaja |
|
No 7 (2018): Women Cutting Movies: Editors from East and Central Europe |
When Women Call the Cuts: the Marina Razbezhkina School of Documentary Film |
Abstract
HTML
|
Daria Shembel |
|
Doing Performance Art History. Perspectives of Actors and Observers (2020) |
Work, 2008–2010 |
Abstract
HTML
|
Ion Grigorescu |
|
No 1 (2015) |
XIX festival' arkhivnogo kino Belye Stolby |
Abstract
Re: XIX фестиваль архивного кино (Русский)
PDF (Русский)
|
Georgii Borodin |
|
No 2-3 (2016): Ghetto Films and their Afterlife |
XV Mezhdunarodnyi festival’ dokumental’nogo kino Flaertiana |
Abstract
HTML (Русский)
|
Elena Chetina |
|
No 11 (2020): Yugoslav Performance Art: On the Deferred Production of Knowledge |
Yugoslav Performance Art: On the Deferred Production of Knowledge |
Abstract
HTML
|
Goran Pavlić |
|
No 9 (2019) |
“Art is Energy, Art is Power”: An Interview with Józef Robakowski |
Abstract
HTML
|
Michael N. Goddard |
|
No 2-3 (2016): Ghetto Films and their Afterlife |
“Madagascar, Nisko, Theresienstadt, Auschwitz.” On the Visibility of Sites in Claude Lanzmann’s The Last of the Unjust (2013) |
Abstract
HTML
|
Gertrud Koch |
|
No 2-3 (2016): Ghetto Films and their Afterlife |
“The Second Life” of the Theresienstadt Films after the Second World War |
Abstract
HTML
|
Eva Strusková |
|
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