Susanne Strätling: Die Hand am Werk: Poetik der Poiesis in der russischen Avantgarde.

DOI: https://doi.org/10.17892/app.2016.0003.157
Keywords: Velimir Khlebnikov, Vsevolod Meierhol’d, Sergei Tret’iakov, Russian avant-garde, Russian formalism, Russian constructivism, biomechanics, showing/telling, haptic poetic, poetology, carpalistics, gesture, hand, intermediality

Abstract

Vera Kotelevskaia's review of Die Hand am Werk: Poetik der Poiesis in der russischen Avantgarde by Susanne Strätling.

Author Biography

Vera Kotelevskaia, Южный федеральный университет
Доцент кафедры теории и истории мировой литературы Института филологии, журналистики и межкультурной коммуникации (Южный федеральный университет), член Российского союза германистов
Published
2019-03-26
How to Cite
Kotelevskaia, Vera. 2019. “Susanne Strätling: Die Hand Am Werk: Poetik Der Poiesis in Der Russischen Avantgarde”. Apparatus. Film, Media and Digital Cultures of Central and Eastern Europe, no. 5 (March). https://doi.org/10.17892/app.2016.0003.157.
Issue
No. 5 (2017): Mise en geste. Studies of Gesture in Cinema and Art
Section
Reviews

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