Archives
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No. 19 (2024)
Cover: Still from Divi / Two in Love (Mikhail Bogin, 1965, Latvia). https://failiem.lv/u/9vtvse2ut8
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Decolonising the (Post-)Soviet Screen II
No. 18 (2024)Edited by Heleen Gerritsen
Cover: Still from Krykhka pam’iat’ / Fragile Memory (Ihor Ivanko, 2022, Ukraine, Slovakia). Courtesy of Filmdelights.
You can obtain the physical book Decolonising the (Post-)Soviet Screen (containing all journal contributions and an additional essay by Nana Janelidze with photos from Abuladze's "Repentance") here:
Decolonising the (Post-)Soviet Screen
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Decolonising the (Post-)Soviet Screen I
No. 17 (2023)Edited by Heleen Gerritsen
with the support of Lukas M. DominikCover: Photograph Patterns of Panjakent by Anisa Sabiri. Tajikistan 2018. Courtesy of the author.
You can obtain the physical book Decolonising the (Post-)Soviet Screen (containing all journal contributions and an additional essay by Nana Janelidze with photos from Abuladze's "Repentance") here:
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The Haunted Medium II: Moving Images in the Russian Empire
No. 16 (2023)Edited by Rachel Morley, Natascha Drubek, Oksana Chefranova, and Denise J. Youngblood
Cover: Tashkent. “Khiva" Electric Theater. Postcard.
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The Haunted Medium I: Moving Images in the Russian Empire
No. 15 (2022)Edited by Rachel Morley, Natascha Drubek, Oksana Chefranova, and Denise J. Youngblood
Cover: Frame still from Ludwig Czerny and Simon Esadze, The Conquest of the Caucasus, 1913. Images courtesy of The National Parliamentary Library of Georgia, Digital Library Iverieli.
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Putting the Empire to Music. The Phenomenon of Vocal-Instrumental Ensembles (VIA)
No. 13 (2021)Edited by Clemens Günther and Christiane Schäfer
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Pandemic Cinema in Central and Eastern Europe
No. 12 (2021)Edited by Raoul Eshelman, Mario Slugan, and Denise J. Youngblood
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Yugoslav Performance Art: On the Deferred Production of Knowledge
No. 11 (2020)Edited by Goran Pavlić
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Doing Performance Art History. Perspectives of Actors and Observers (2020)
Open Apparatus Books Volume I.
Edited by Sandra Frimmel, Tomáš Glanc, Sabine Hänsgen, Katalin Krasznahorkai, Nastasia Louveau, Dorota Sajewska, Sylvia Sasse.
You can order the paper version of "Doing Performance Art History" for your library here: Doing Performance Art History
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Fiction in Central and Eastern European Film Theory and Practice
No. 8 (2019)Edited by J. Alexander Bareis and Mario Slugan
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Women Cutting Movies: Editors from East and Central Europe
No. 7 (2018)Edited by Ana Grgic and Adelheid Heftberger
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Women at the Editing Table: Revising Soviet Film History of the 1920s and 1930s
No. 6 (2018)Edited by Adelheid Heftberger and Karen Pearlman
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Mise en geste. Studies of Gesture in Cinema and Art
No. 5 (2017)Edited by Ana Hedberg Olenina and Irina Schulzki
