No. 20 (2025)

Apparatus — Issue 20 | 10th-Anniversary Edition

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Women on the Cutting Edge Editing in Yugoslav Film, and the Authorship of Olga Skrigin

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Eldar Shengelaia’s “Blue Mountains, or Unbelievable Story” Trick Track Trolling the Soviet System

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Frame Composition in Ukrainian Film Theory of the 1920s and the Experience of Other Arts

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The Cinematic Urbanism of the Kaufman Brothers Global Context and Personal Visions

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“Kto ubil Loru Palmer?” David Lynch and (Post-)Soviet Culture and Cinema

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Mobilising Attention How Ukrainian Documentary Filmmakers Use Technology to Influence Political and Social Participation

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Meet Part | Mothers Daughters

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A Safe Space for Brave Programming Heleen Gerritsen on Navigating goEast

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Art at the Crossroads: Konstantin Akinsha on Ukrainian Modernism [FORTHCOMING]

Stanislav Menzelevskyi, Anna Onufriienko, Oleksandr Teliuk, Ivan Kozlenko (eds.): VUFKU: Lost & Found: A Brief History of a Ukrainian Film Studio and Its Lasting Legacy (Exhibition Catalogue) Oleksandr Dovzhenko National Centre. 2019. 256p.

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Anna Batori: The Extreme Cinema of Eastern Europe: Rape, Art, (S)Exploitation Edinburgh University Press. 2024. 188p.

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Caroline Damiens, A Siberian History of Soviet Film: Manufacturing Visions of the Indigenous Peoples of the North, trans. by Adrian Morfee. Bloomsbury Academic. 2024. 304p.

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