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  3. No. 1 (2015)

No. 1 (2015)

					View No. 1 (2015)
DOI: https://doi.org/10.17892/app.2015.0001
Published: 27-09-2015

Editorial

  • Apparatus: Introduction

    Natascha Drubek, Anke Hennig, Irina Sandomirskaja
    • HTML (Deutsch)
    • PDF (Deutsch)

Articles

  • Propaganda in Motion. Dziga Vertov`s and Aleksandr Medvedkin`s Film Trains and Agit Steamers of the 1920s and 1930s

    Adelheid Heftberger
    • HTML
    • PDF
  • "Aparat" chy "dyspozytyv"? Notatky pro vyrobnytstvo obrazu i vyrobnytstvo subiekta v kino

    Ol'ha Briukhovets'ka
    • HTML (Українська)
    • PDF (Українська)
  • Games on Morel’s Hill and Kievy Gorki. On the Social Formattings of the Individual in the Work of KwieKulik and the Collective Actions Group

    Inke Arns
    • HTML
    • PDF
  • Pussy Riot as the Trickstar

    Mark Lipovetsky
    • HTML
    • PDF
  • Tukums kino hronikās

    Viktorija Eksta
    • HTML
    • PDF

Reviews

  • Philip Cavendish: The Men with the Movie Camera. The Poetics of Visual Style in Soviet Avant-Garde Cinema of the 1920s

    Mario Slugan
    • HTML
    • PDF
  • Tanja Zimmermann: Der Balkan zwischen Ost und West. Mediale Bilder und kulturpolitische Prägungen

    Rastislava Mirković
    • HTML
    • PDF
  • Evgenii Margolit: Zhivye i mёrtvoe. Zametki k istorii sovetskogo kino 1920-1960kh

    Anna Karpusheva
    • HTML
    • PDF
  • Anke Hennig: Sowjetische Kinodramaturgien. Konfliktlinien zwischen Literatur und Film in der Sowjetunion

    Christian Pischel
    • HTML (Deutsch)
    • PDF (Deutsch)
  • XIX festival' arkhivnogo kino Belye Stolby

    Georgii Borodin
    • HTML (Русский)
    • PDF (Русский)

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Apparatus. Film, Media and Digital Cultures in Central and Eastern Europe   ISSN: 2365-77 

 

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