No. 13 (2021): Putting the Empire to Music. The Phenomenon of Vocal-Instrumental Ensembles (VIA)

Edited by Clemens Günther and Christiane Schäfer

DOI: https://doi.org/10.17892/app.2021.00013

Published: 2021-11-05

Editorial

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  An Open Invitation: VIA as a Field of Research

  Clemens Günther, Christiane Schäfer

  1-4

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Articles: Putting the Empire to Music

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  Institution, Memory and a Brief Flirtation An Introduction into Soviet Vocal-Instrumental Ensembles

  Christiane Schäfer

  5-19

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  Georgian VIAs – Between Submission and Subversion

  Irine Beridze

  20-35

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  Soviet Estrada and VIAs in Italian Boots (1960s-1970s)

  Manuel Ghilarducci

  36-54

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  A Canon in Multiple Voices The Canonisation of VIAs in the Soviet Union and Russia

  Clemens Günther

  55-70

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Articles

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  Reframing the 1950s: Poland and America through Photojournalist Lisa Larsen’s Lens

  Patryk Babiracki

  71-93

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Reviews

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  Anna Juraschek: Die Rettung des Bildes im Wort. Bruno Schulz‘ Bild-Idee in seinem prosaischen und bildnerischen Werk

  Vera Kotelevskaia

  94-98

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  Mariana Ivanova: Cinema of Collaborations and Stefano Pisu: La cortina di celluloide

  Karol Jozwiak

  99-103

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  Vlad Strukov: Contemporary Russian Cinema: Symbols of a New Era

  Marija Weste

  104-108

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The Book Lab

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  Hidden Figures Rewriting the History of Cinema in the Empire of All the Russias

  Natascha Drubek

  109-144

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  On Finding Hidden Figures: An Experiment in Open Peer Review

  Denise Youngblood

  145-147

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Video Essay

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  The Life and Strange Surprising Adventures of Elizaveta Thiemann, a Baroness Who Made Films, Played the Part of Alexandra L’vovna Tolstaia, Lived Fifty Years After Her Own Death, Died in Obscurity, but Came Back to Film History A Russian lecture by Peter Bagrov and Anna Kovalova

  Anna Kovalova, Peter Bagrov

  148

  • Video (Русский)