No. 13 (2021): Putting the Empire to Music. The Phenomenon of Vocal-Instrumental Ensembles (VIA)

View No. 13 (2021): Putting the Empire to Music. The Phenomenon of Vocal-Instrumental Ensembles (VIA)

Edited by Clemens Günther and Christiane Schäfer

DOI: https://doi.org/10.17892/app.2021.00013

Published: 05-11-2021

Editorial

An Open Invitation: VIA as a Field of Research

Clemens Günther, Christiane Schäfer

1-4
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Articles: Putting the Empire to Music

Institution, Memory and a Brief Flirtation An Introduction into Soviet Vocal-Instrumental Ensembles

Christiane Schäfer

5-19
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Georgian VIAs – Between Submission and Subversion

Irine Beridze

20-35
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Soviet Estrada and VIAs in Italian Boots (1960s-1970s)

Manuel Ghilarducci

36-54
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A Canon in Multiple Voices The Canonisation of VIAs in the Soviet Union and Russia

Clemens Günther

55-70
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Articles

Reframing the 1950s: Poland and America through Photojournalist Lisa Larsen’s Lens

Patryk Babiracki

71-93
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Video Essays

The Life and Strange Surprising Adventures of Elizaveta Thiemann, a Baroness Who Made Films, Played the Part of Alexandra L’vovna Tolstaia, Lived Fifty Years After Her Own Death, Died in Obscurity, but Came Back to Film History A Russian lecture by Peter Bagrov and Anna Kovalova

Anna Kovalova, Peter Bagrov

148
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The Book Lab

Hidden Figures Rewriting the History of Cinema in the Empire of All the Russias

Natascha Drubek

109-144
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On Finding Hidden Figures: An Experiment in Open Peer Review

Denise Youngblood

145-147
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Reviews

Anna Juraschek: Die Rettung des Bildes im Wort. Bruno Schulz‘ Bild-Idee in seinem prosaischen und bildnerischen Werk

Vera Kotelevskaia

94-98
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Vlad Strukov: Contemporary Russian Cinema: Symbols of a New Era

Marija Weste

104-108
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Mariana Ivanova: Cinema of Collaborations and Stefano Pisu: La cortina di celluloide

Karol Jozwiak

99-103
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