Leeanna Walsman as Svilova, composing a sequence in 'Woman with an Editing Bench' ©2016 The Physical TV Company

Recognising Women’s Work as Creative Work

Karen Pearlman, Adelheid Heftberger

Abstract


The editorial article to the themed issue Women at the Editing Table: Revising Soviet Film History of the 1920s and 1930s

 

(Picture: Leeanna Walsman as Svilova, composing a sequence in 'Woman with an Editing Bench' ©2016 The Physical TV Company)


Keywords


Ėsfir’ Shub; Elizaveta Svilova; Dziga Vertov; Rose Smith; D.W. Griffith; film editing; Soviet montage; early film; female editors; new cinema history; film history; feminist film studies; film production processes; creative practice; écriture féminine

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DOI: http://dx.doi.org/10.17892/app.2018.0006.124



Apparatus. ISSN 2365-7758