Recognising Women’s Work as Creative Work

DOI: https://doi.org/10.17892/app.2018.0006.124
Keywords: Ėsfir’ Shub, Elizaveta Svilova, Dziga Vertov, Rose Smith, D.W. Griffith, film editing, Soviet montage, early film, female editors, new cinema history, film history, feminist film studies, film production processes, creative practice, écriture féminine

Abstract

The editorial article to the themed issue Women at the Editing Table: Revising Soviet Film History of the 1920s and 1930s

 

(Picture: Leeanna Walsman as Svilova, composing a sequence in 'Woman with an Editing Bench' ©2016 The Physical TV Company)

Leeanna Walsman as Svilova, composing a sequence in 'Woman with an Editing Bench' ©2016 The Physical TV Company
Published
2018-08-10
How to Cite
Pearlman, Karen, and Adelheid Heftberger. 2018. “Recognising Women’s Work As Creative Work”. Apparatus. Film, Media and Digital Cultures of Central and Eastern Europe, no. 6 (August). https://doi.org/10.17892/app.2018.0006.124.
Issue
No. 6 (2018): Women at the Editing Table: Revising Soviet Film History of the 1920s and 1930s
Section
Editorial

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