The Omens: Tarkovsky, Sacrifice, Cancer

  • Robert Bird
Keywords: Andrei Tarkovsky, Irina Brown, Soviet Union, Paris, film, Sacrifice, death, oncology, cancer.

Abstract

In this elegiac essay on Andrei Tarkovsky’s last year, which traces his reluctant acceptance of cancer’s  inexorable advance and inevitable victory, Robert Bird interweaves fragments from the director’s life, writings, and films to offer a moving meditation on the poetics of dying. In so doing, Bird gently challenges the mystical notion that Tarkovsky’s final film Sacrifice somehow prophesies its creator’s death; rather, Bird suggests that Sacrifice should be seen as a brilliant distillation of the themes that dominated Tarkovsky’s oeuvre and as a fitting culmination to his life in art. The essay is illustrated with previously unpublished snapshots of Tarkovsky during his final year taken by his friend and collaborator Irina Brown. 

Editor’s Note: Sadly, Robert Bird died of cancer on September 7, 2020 before this essay, which he intended as his testament, could be published.  In tribute to Bird’s life and legacy, we are releasing it in advance of the rest of Apparatus, no. 10. 

Author Biography

Robert Bird

Robert Bird (1969-2020) was a professor in the Department of Slavic Languages and Literatures at the University of Chicago.  A prolific scholar in both film and literature, Bird was well known as a specialist on Andrei Tarkovsky, especially for his monograph Andrei Tarkovsky: Elements of Cinema (2008).

Andrei Tarkovsky with Tishka, an injured bird adopted by his family. 8 June 1986. Photograph © Irina Brown 1986.
Published
2020-09-08
How to Cite
Bird, R. (2020). The Omens: Tarkovsky, Sacrifice, Cancer. Apparatus. Film, Media and Digital Cultures of Central and Eastern Europe, (10). https://doi.org/10.17892/app.2020.00010.225
Section
Articles