2020

Doing Performance Art History. Perspectives of Actors and Observers

DOI: http://dx.doi.org/10.17892/app.2020.0000


Cover Page

Image: Members of the group MAMÜ burning part of the archive of Ioan Bunus (1982). Image courtesy of Károly Elekes / the group MAMŰ.

Doing Performance Art History. Perspectives of Actors and Observers

Volume I

Edited by Sandra Frimmel, Tomáš Glanc, Sabine Hänsgen, Katalin Krasznahorkai, Nastasia Louveau, Dorota Sajewska, Sylvia Sasse.


Editor-Publisher of the series Open Apparatus Books: Natascha Drubek

Language editor: John Leman Riley
Technical editor: Elena Hamidy
Stylesheet editor: Evgeniia Trufanova

This open access publication is part of the research project "Performance Art in Eastern Europe (1950–1990): History and Theory" at the Department for Slavic Studies, University of Zurich, that has received funding from the European Research Council (ERC) under the European Union’s [Seventh Framework Programme (FP7-2007-2013)] (Grant agreement No. 614791 PerformEast).

This Open Apparatus Book is an outcome of the conference "Doing Performance Art History. A Congress of Actors and Observers", Cabaret Voltaire, Zurich, 3–5 November 2016, organized by Sandra Frimmel, Tomáš Glanc, Sabine Hänsgen, Kata Krasznahorkai, Nastasia Louveau, Dorota Sajewska, and Sylvia Sasse.